Augustine, by offering valuable suggestions for improving and implementing the route, with particular regard to the areas of Brianza and Alto Milanese. Numerosi Lions clubs della Lombardia hanno "adottato" un proprio Santuario Mariano presente sul percorso del Cammino, fornendolo del timbro per la vidimazione della Credenziale.
I Lions Clubs Brianza Host e Canonica Lambro hanno inoltre offerto la creazione del simbolo del cammino una rosa azzurra stilizzata su fondo giallo , realizzato sponsorizzando un concorso di idee presso il Liceo Artistico Modigliani di Giussano MB. This historic partnership has sponsored the publication of the "Guide to the Way of St. Augustine" since its first edition, thereby ensuring enhanced visibility to the promotional campaigns conceived by the association Way of St.
D has its headquarters in Erba. Avoiding the traditional tourist sites, Pictures from Italy reveals the anxieties and concerns of its author as he presents, according to Kate Flint, the country "like a chaotic magic-lantern show, fascinated both by the spectacle it offers, and by himself as spectator. A mazon Reader's Review: "I am, and have been for many a year, a scholar of the works of Dante.
Coming up to date, I have read thousands of translations of the text of all three parts of the Divine Comedy, and this is the best I have found yet. First of all, it is a treat to find that all three parts of this masterwork are collected in this one volume, and even though the price is quite low for a hardcover book with as many pages as this, I cannot stress the quality of this edition. As many may know, Dante Alighieri was a man of great literary prowess, but was given drive by his single obsession to a small girl by the name of Beatrice. She rings true in this work, as the guiding angel, bringing Dante through the depths of hell, the wasteland of Purgatory, and finally, the glory of heaven.
This has been one of the most enduring works on the human spirit, and the concept of god as seen through Christianity. Full of pun and metaphor, this is rich in language, and ready to please. Some people start their studies of Epic Poetry with Milton's "Paradise Lost," but I say, speaking from experience, that Dante is far superior to Milton, but Milton is in good company as his second. I have read the original in Italian, and this is about as close of a translation as you can get. Please enjoy this.
Hiking the Cinque Terre
Italian Journey, by Johann Wolfgang von Goethe. F or those who want to experience Campania as part of the 18th- and 19th-century "Grand Tour" taken by everyone who was anyone. The Schocken Bodes edition was translated beautifully by W.
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- general informations;
- Sternenstürme: Roman (German Edition)!
Auden and Elizabeth Mayer. My curiosity was heightened in an art history class when the instructor showed a photo slide of the Ponte Vecchio and told the amazing story of the Nazi pilot who disobeyed orders to destroy the last bridge the allies could cross on their advance north. This beautiful book brings to mind the saying, "The Past is a Foreign Country. The book consists of essays James wrote on his travels to various places in Italy including Venice, Rome, and Florence.
He visited some places several times and the text reflects the changes he observed on revisits. H e records an Italy whose poverty for a time prevented the intrusion of developers, who later made many changes perhaps for the worse.
The Dreaming Machine
James was not a worshipper of old buildings, he appreciated them, but he was also aware of the suffering of the Italians, many of whom existed in dire poverty. His reflections on various cathedrals, churches and other objects of artistic interest are humanized by his comments about the individuals he encounters. He muses on the morality of travel, "whether it has been worthwhile to leave his home [and] encounter new forms of human suffering. James differs from Theroux however.
My sense is that James is a little less likely to criticize and a little more willing to overlook unpleasantness. Perhaps that makes him less of a realist, or perhaps Italy was a more pleasant place in the 19th Century. Isabel is portrayed beautifully by James in the novel as a curious, independent, intelligent lady. She arrives in isolated Gardencourt where she meets her uncle and her cousin, Ralph Touchett. Soon, she is proposed to by Lord Warburten portrayed as a polite, wealthy, radical gentleman but rejects him because her curiousity expects another, better suiter.
Caspar Goodward, her other lover, fallows her to England and is determined to marry her. The two men come in even further in the novel when intrigue and scandel take place. Isabel travels all through Europe but is eventually entrapped and decieved. Drama and intrigue take the stage then. By that time it may sound like some dumb soup opera, but really he refines the situations and makes them realistic but still dramatic unlike most stupid soaps.
Some parts may seem long and dull because he explains himself so explicitly with huge paragraphs about one subject but it's worth it when you're finished. The characters are done superbly with wonderful description. There is much irony, too, but if you immediately think irony is funny like some people its not in this novel. It's as a whole a serious novel. The ending is very well done if you think about it. Though it may seem odd it is as a whole witty and crafty. I n Sicily in , as Italian unification grows inevitable, the smallest of gestures seems dense with meaning and melancholy, sensual agitation and disquiet: "Some huge irrational disaster is in the making.
His favorite nephew, Tancredi, proffers the paradox, "If we want things to stay as they are, they will have to change," but Don Fabrizio would rather take refuge in skepticism or astronomy, "the sublime routine of the skies. G iuseppe di Lampedusa, also an astronomer and a Sicilian prince, was 58 when he started to write The Leopard, though he had had it in his mind for 25 years. Forster called his work "one of the great lonely books. Lampedusa's deftness with words is so fine that T alk about a late bloomer: Lampedusa generated nearly all of his literary work during the last 30 months of his life-including two short stories, an opening chapter to a novel, some informal literary essays and his classic historical novel of Sicily, The Leopard.
Restored from posthumous editing, the long, multipart essay "Places of My Infancy" impressionistically catalogues the author's lush memories of an aristocratic, isolated Sicilian childhood. Lampedusa displays an evocative attachment to houses, especially the ornate palace of Santa Margherita, with rooms for 12 people.
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- Skin Deep.
The fiction here makes for tantalizing contrasts: there's a long, sensual fantasy, "The Professor and the Siren," the short, poignant "Joy and the Law" and a mordant tale of a rising peasant family's landgrabs, "The Blind Kittens. These disparate, imperfect remains of the author's brief and truncated career form a pleasant if rickety loggia to his palatial The Leopard.
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Lawrence, Anthony Burgess. A mazon Reader's review: "If I were to read only two travel books then this would be the second one, although both my wife and an English friend read it in German translation and reported that it was terrible. Maybe it doesn't translate well. Lawrence, as young man, describes a thread running through his life as he starts the journey by heading south toward Italy on foot from Bavaria with Frida, a way of travel that many Germans still understand very well.
Descriptions of people are attractive, like the one-legged Italian who tried to seduce the cold, northern women at a dance. And I felt loss at his growing distance from Frida. The book made me want to see the lemon and olive trees above Lago di Garda and the villages high above the lake, but we haven't done that in spite of our nearness to the region.
Gardasee is completely overrun by German tourists now, not just by those wearing heavy hiking boots. The Reawakening by Primo Levi. A n account of a small group of Auschwitz survivors' impossible, but victorious, walk back to Italy. If Not Now, When? The Drowned and the Saved by Primo Levi. T his book, published months after Italian writer Primo Levi's apparent suicide, is a small but powerful look at Auschwitz, the hell where Levi was imprisoned during World War II.
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The book was his third on the subject, following Survival in Auschwitz and The Reawakening Removed from the experience by time and age, Levi chose to serve more as an observer of the camp than the passionate young man of his previous work. He writes of "useless violence" inflicted by the guards on prisoners and then concludes the book with a discussion of the Germans who have written to him about their complicity in the event.
In all, he tries to make sense of something that - as he knew - made no sense at all. Click here for price and order information. The Monkey's Wrench by Primo Levi. I n this exuberant novel, one of Italy's greatest living writers celebrates the art of storytelling and the spirit of work through weaving the mesmerizing t ales of an itinerant construction worker, Libertini Faussone, and a writer-chemist, the true and fictional Primo Levi.
Marriott Translator. W hen Lorenzo de' Medici seized control of the Florentine Republic in , he summarily fired the Secretary to the Second Chancery of the Signoria and set in motion a fundamental change in the way we think about politics. Unable to become an on-air political analyst for a television network, he only wrote a book.
But what a book The Prince is. Its essential contribution to modern political thought lies in Machiavelli's assertion of the then revolutionary idea that theological and moral imperatives have no place in the political arena. E lsa Morante was Moravia's first wife, widely respected as one of the finest writers of the 20th century.
Written in but first published in the United States in , this was Morante's first novel in 18 years. As the cryptic title indicates, the theme of this novel, said Literary Journal's reviewer, is how "history obscures individual lives. Roman Tales by Alberto Moravia. T his collection of 19 short stories, fables in fact, is by one of Italy's greatest 2oth-century writers.
It marked Moravia's shift from describing the Roman bourgeoisie into Rome's seedy slums; a world of spivs, lower working class, thieves and, well, assorted riff-raff. They are stories of emotional suspense, beguiling and magical. They tell a poignant tale of aspiration, love won and lost, and resignation; the problems of everyday life for all people. If you love short stories, you will adore these, for Moravia is the master of the short, short story. A mazon Reader's Review: "Not-Hard stories that anyone of just about any mental capacity can read and understand, I liked it for that.
Great stories, stories pretty much based on the most common tales of humanity and society, but with an interesting twist. I rated it a 4 primarily for what it offers to a lot of people, the opportunity to read well-written novelettes, and because its not quite a 5 it's no Les Miserables or War and Peace but still enjoyable! All of the plays deal with illusion and reality in ways that contemporary writers still struggle with. Both Six Characters in Search of an Author and Each in His Own Way play with the idea that the audience willfully suspends reality in order to watch a play or a movie for that matter.
He plays with the idea that what something appears to be is as important, if not more important, that what it really is. Again, illusion versus reality. Although all of the plays were interesting and entertaining, the two standouts were Six Characters If You Think So. The former deals with an acting troupe that is approached by six characters who have been conceived by a writer, but not fully realized. The Characters attempt to get the manager of the troupe to write their script, and thus give them artistic life. It is So T he only problem with this collection of plays and the only reason that I didn't give it five stars is that in the introduction to Six Characters He takes the time to discuss the relationship between these plays, and yet Tonight We Improvise is omitted from the collection.
Thus, we are left with only the first two plays of the trilogy. What makes it worse is that they are both excellent plays making me wish I didn't have to scrounge up another book to get the third. Other than that, this is an outstanding collection. Eric Bentley the editor writes an informative introduction to Pirandello, and adds Pirandello's own thoughts on Six Characters I would recommend this for people who are or aren't familiar with the work of Luigi Pirandello.
It's definitely worth the read. S ciascia, the elegantly learned and quite politically fearless Sicilian writer who died in , wrote most of his fiction in the Sixties and early Seventies; but late in his life he wrote these novellas, in which his patented interests--the law, fascism, classic French and Italian literature, metaphysics--all recombine.
Best here is the title novella--a magistrate's sorrowful insistence on conscience during the Fascist period, refusing to sentence a man to death: a meditation on capital punishment, moral traduction, and cultural imprecision "to see European history in the guise of the Russians who would like to be Germans, Germans who'd like to be French, French who would like to be half-German and half-Italian while still remaining French, Spaniards who would settle for being English if they can't be Romans, and Italians who would like to be anything and everything except Italian".
Equally interesting, and somewhat fleshier, is "Death and the Knight"--a terminally ill police investigator's world-weary slog through lies and much more obvious though denied truths. Sciascia Sicilian Uncles, etc. But these are fine literary artifacts for all that: hung upon the police-procedural framework, the cloth is rich and dark if none too form-fitting. Di Piero Introduction. A mazon Reader's Review: "As one expects from Sciascia, this is a highly readable book with well-drawn characters, intriguing plot But as one also expects from Sciascia, the book is also a pointed political and social commentary.
Follow the meanderings of a less-than-socially-observant professor as he tries to unravel the murder of a druggist and doctor on opening day of hunting season. Discover that the real mystery is who knows what when If you like suspense that reveals the complexity of the human condition, this is definitely for you. A novelist, polemicist, occasional politician, and perennial nominee for the Nobel Prize, Leonardo Sciascia died in He left behind a formidable array of books, all of which revolve around the hallucinatory realities of Sicilian life.
But the stories collected in The Wine-Dark Sea may be the best introduction to his work. They offer a kind of capsule history of Sicily, ranging through several hundred years and engaging the country's events from their exhilarating and terrible underside. A good comparison might be the naif's-eye view of Waterloo that Stendhal creates in The Charterhouse of Parma. Sciascia recalls Stendhal in other ways, too; he shares the same adamant clarity, the same bone-dry wit, which may explain why he's always been a hard sell in the United States.
These tales all have a certain riddling quality, whether they're recounting a nugget of Sicilian history or staging one of Sciascia's many comedies of ironic disillusionment. Included among the latter are "The Long Crossing," in which an assortment of Sicilian immigrants are disbursed of their life savings and put ashore not in the New World but back on their own island. There's also the superb title story, about the bottomless chasm separating Sicilians and outsiders, bridged only temporarily by a group of strangers traveling from Rome to Agrigento.
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At the end, the superior of the two adds his own footnote to the scholarship:. T his enlightened thug concludes his history lesson with a general point: "Culture, my friend, is a wonderful thing. He offers little in the way of certainty, but his questions, posed with deadly accuracy, are worth the answers of a dozen other authors. T he classic saga of fascist Italy, in one volume for the first time. The desolate, impoverished mountain region of the Abruzzo during Mussolini's reign provides the backdrop for the three greatest novels of Ignazio Silone, one of the century's most important writers.
Bread and Wine introduces the antifascist Pietro Spina, who pretends to be a priest but is reluctantly forced to honor the spiritual obligations of his role. The political fable Fontamara shows villagers battling landowners over water. Together, these revolutionary works create an indelible image of ordinary people struggling against overwhelming events.