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Transformations: Studies in the History of Science and Technology | The MIT Press

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Picturing Machines 1400-1700 (Transformations: Studies in the History of Science and Technology)

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Drawing Mechanics

Categories: History Of Science Evolution. Description The German translation of Darwin's The Origin of Species appeared in , just months after the original, thanks to Heinrich Georg Bronn, a distinguished German paleontologist whose work in some ways paralleled Darwin's.

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Bronn's version of the book with his own notes and commentary appended did much to determine how Darwin's theory was understood and applied by German biologists, for the translation process involved more than the mere substitution of German words for English. In this book, Sander Gliboff tells the story of how The Origin of Species came to be translated into German, how it served Bronn's purposes as well as Darwin's, and how it challenged German scholars to think in new ways about morphology, systematics, paleontology, and other biological disciplines.

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Gliboff traces Bronn's influence on German Darwinism through the early career of Ernst Haeckel, Darwin's most famous nineteenth-century proponent and popularizer in Germany, who learned his Darwinism from the Bronn translation. In early modern engineering practice, drawings were not merely visualizations of ideas but acted as models that shaped ideas.

Picturing Machines establishes basic categories for the origins, purposes, functions, and contexts of early modern engineering illustrations, then treats a series of topics that not only focus on the way drawings became an indispensable means of engineering but also reflect the main stages in their historical development.

The authors examine the social interaction conveyed by early machine images and their function as communication between practitioners; the knowledge either conveyed or presupposed by technical drawings, as seen in those of Giorgio Martini and Leonardo; drawings that required familiarity with geometry or geometric optics, including the development of architectural plans; and technical illustrations that bridged the gap between practical and theoretical mechanics.

In Collection Read It: Yes. These drawings--among them Leonardo da Vinci's famous drawings of mechanical devices--have long been studied for their aesthetic qualities and technological ingenuity, but their significance for the architects and engineers themselves is seldom considered.

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The essays in Picturing Machines take this alternate perspective and look at how drawing shaped the practice of early modern engineering. They do so through detailed investigations of specific images, looking at over that range from sketches to perspective views to thoroughly constructed projections.

In early modern engineering practice, drawings were not merely visualizations of ideas but acted as models that shaped ideas. Picturing Machines establishes basic categories for the origins, purposes, functions, and contexts of early modern engineering illustrations, then treats a series of topics that not only focus on the way drawings became an indispensable means of engineering but also reflect the main stages in their historical development.

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The authors examine the social interaction conveyed by early machine images and their function as communication between practitioners; the knowledge either conveyed or presupposed by technical drawings, as seen in those of Giorgio Martini and Leonardo; drawings that required familiarity with geometry or geometric optics, including the development of architectural plans; and technical illustrations that bridged the gap between practical and theoretical mechanics.

Creating shapes in civil and naval architecture : a cross-disciplinary comparison by H Nowacki 12 editions published in in English and held by 1, WorldCat member libraries worldwide The design, construction and fabrication of complex two- and three-dimensional shapes in civil and naval architecture have always been a particularly demanding part of the art of engineering. This volume presents a comparative knowledge history in these two distinct branches of construction engineering. Between Leibniz, Newton, and Kant : philosophy and science in the eighteenth century Book 14 editions published between and in English and held by WorldCat member libraries worldwide It is a truism that philosophy and the sciences were closely linked in the age of Leibniz, Newton, and Kant; but a more precise determination of the structure and dynamics of this linkage is required.