The well-known and equestrian statue by Fremiet, in the Place des Pyramides, in Paris, illustrates the difficulty of combining in one type the manifold qualities requisite for a realization of our ideal of Jeanne 41 d'Arc. Still we cannot deny that this work has great artistic merits and is very impressive. Illustration in Century for , Vol. Also in Gonse, "La Sculpture franchise," Paris, , p. For those of us who have been endeavoring during the past two years to further the project for the erection in New York City of a statue of the pure and sublime heroine, Jeanne d'Arc, it is most grati- fying to note the growing success of the movement to establish a national holiday in France in her honor, and the unanimity with which the members of the widely-divergent political parties in that country are working toward the attainment of this end.
Here we can see the influence still exercised, after the lapse of five centuries, by a grand and noble personality, whose aims and motives during life were free from self-seeking and owed their origin solely to an exalted patriotism. It is this that has served to unite Radicals and Catholics in a common effort, for this movement enlists the sympathies of both in that it appeals to the general sentiment of patriotism which animates all Frenchmen, regardless of differences of religious or politi- cal faith.
Hence it is that the directors of the political destinies of the great French Republic and the bishops and clergy of the Catholic Church in that country find here a high and common ground for united action.
- Curious Little Biddy Bear.
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The recent celebration in Orleans on May 8th of the raising of the siege of that city by La Pucelle was marked with more than the usual ceremony, because in this year fell the five-hundredth anni- versary of Jeanne d'Arc's birth. The processions were very impressive and brilliant, and in one of the market-places a reproduction of the scene presented in a market of the olden time was offered, the stalls being arranged to represent as clearly as possible those of the early fifteenth century, and the costumes of the vendors and their assistants being also faithful copies of those worn in that period.
Many of the heroic figures of history appeal only to those of their own nationality, but Jeanne d'Arc is dear to all true patriots the world over ; and she should be more especially dear to our American women, for this noble example of their sex gave the lie, nearly five hundred years ago, to the trite assertion that while woman may be tender and true, she cannot be fearless and courageous in the defense of the right. For all these reasons the project for a monument to Jeanne d'Arc in America is not merely the expression of an admiration for what is 42 great and noble in the past, but also of the aspirations shared by a majority of American women.
The history of a nation is a part of its very life, and only by looking backward to the beginnings of national life is it possible to rightly understand the significance of the present and to forecast the future. Even the mistakes made in the past have their educa- tional value, just as the errors of youth contain a valuable lesson for mature age ; hence it is impossible to exaggerate the importance of the study of a nation's history.
However, while the printed page speaks only to the intellect, the relics of the past and the spots whereon great events transpired exert a much more important in- fluence upon the mind and heart of the beholder.
File:magoxuluti.tk - Wikimedia Commons
Let us consider the contemporaneous conditions and those who ruled European countries at the time of Joan of Arc. During the brilliant, but all-too-brief career of the peerless Maid of Orleans, France owned as her legitimate, though not undisputed sovereign, Charles VII Though his anointment and coronation as King of France did not take place until July 17, , his reign is dated from , the year of the death of his imbecile father, Charles VI , and also that of France's great enemy, Henry V England, however, owned allegiance to the child-king Henry VI , the son of Henry V, who was but eight years of age when Jeanne raised the Siege of Orleans.
The conduct of affairs was in the hands of his uncles, John, duke of Bedford, as Regent of France, and Humphrey, duke of Gloucester, as Protector of the realm of England. Though but a duchy, and theoretically at least, a feudatary of the French crown, Burgundy was at this time virtually independent, and her reigning sovereign, Philip the Good , the father of Charles the Bold, played a most important part in the drama of Jeanne's life as the friend of England and the enemy of France.
Not long after her death, however, he changed his policy and joined his forces and interests with those of Charles VII. Though but indirectly interested in the stirring events transpiring in France, the German Emperor, Sigismund , and the Duke of Austria, Albert V d. There is little cause to believe, however, that a very lively interest in the matter was felt by another con- temporary, Great Prince Vasili III , in far-away Moscow, 43 where he was entirely engaged in consolidating and augmenting Rus- sian power.
Still less strong must have been the interest of the Grand Turk Murad II, who became sultan in , and who fought unsuccessfully against Scanderbeg and Hunyadi. The Italy of the early part of the fifteenth century was so busy with its manifold internal dissensions that even such momentous events as the conquest of the greater part of France by the English and the subsequent freeing of her territory from foreign domination did not probably excite widespread interest.
The Venetian Republic had just secured, by the Peace of Ferrara, in , a large increase of territory gained in alliance with the Florentines. Milan, then ruled by the Visconti, the States of the Church, administered by Pope Martin V and Naples, were the most influential geographic unities of Italy at this time, outside of Venice, Florence and Genoa. To aid in a better understanding of the collection, the following chronology may be useful : Jeanne d'Arc or Jeanneton Dare was born at Domremy, a village partly in Lorraine and partly in Champagne. According to the com- monly received chronology, the date of her birth was January 6, Late authorities do not venture to be so pre- cise, placing her birth somewhere between and Her father was Jacques d'Arc or Jaqueton Dare , originally of Ceffonds in Champagne; her mother was Isabeau Zabillat Vouthon, this lat- ter name signifying the place of her birth, a village a league and a half from Domremy.
She bore the surname Romee, probably because she had made a pilgrimage to Rome, or some other distant pilgrimage. She first heard the "voices" when about thir- teen years of age in or On the first occasion she perceived a great light at her right and heard a voice addressing her. Later the figure of the Archangel Michael appeared to her and later still those of St. Margaret, with whom she held fre- quent intercourse, more especially with St. He ascended the throne on the death of his father, Charles V, on September 16, He became deranged when twenty-four years old in Battle of Agincourt and overwhelming defeat of the French on October 25, Treaty of Troyes, by the terms of which Henry V and his heirs were to succeed to the throne of France after the death of Charles VI, signed May 21, Henry V died at Bois-de-Vincennes August 31, Charles VI died in Paris October 21, She was accompanied by her cousin by mar- riage, Durand Lassois.
Siege laid by the English to Orleans October 12, Jeanne's second visit to Robert de Baudricourt, captain of Vaucouleurs, in the course of which she persuades him to conduct her to the Dauphin. February 13, Jeanne arrives at the court of the Dauphin in Chinon March 6, Letter addressed to the Regent Bedford 45 commanding the English to leave the soil of France March 22, Jeanne enters Orleans April 29, Defeat of the English before Orleans May 7, Here Jean was wounded by an arrow between her neck and shoulder.
Siege of Orleans raised May 8, Taking of Jargeau June 12, Taking of Beaugency June 17, Battle of Patay, crushing defeat of the Eng- lish. The old hero Talbot taken prisoner June 18, Troyes opens its gates to Jeanne and the Dauphin July 1 1, They enter Rouen July 16, During the ceremony Jeanne stood alongside of the king, holding her sacred banner. Unsuccessful attack by the French upon Paris, Jeanne wounded September 8, Jeanne lays siege to La Charite, but is forced to raise the siege toward the end of Jeanne and her family ennobled with the sur- name of du Lis December 29, Jeanne comes to the relief of Compiegne, then besieged by the English May 24, She is wounded and taken prisoner in a sortie on the same day May 24, She is delivered up to the English by John Duke of Luxembourg, who received a payment of 10, francs from Pierre Cauchon, Bishop of Beauvais, their intermediary, in December, She is imprisoned in a tower now de- molished of the Chateau of Rouen December, The English give her up to the Inquisition for trial January 3, Her public examination in the royal chapel of 46 the Chateau of Rouen began February 21, Publicly accused as a heretic and witch March 20, Makes her submission to the church and is par- doned, but condemned to life imprisonment May 24, She was surrendered by the ecclesiastical au- thorities into the hands of the English, yielded to the temptation to reassume her male attire, which she had forsworn, and was considered to have relapsed.
Jeanne revokes her abjuration, and is con- demned as a relapsed heretic by Bishop Cauchon and a court of 48 assessors May 29, Formal proposal for her canonization reg- istered in February, Kunz and J. Sanford Saltus December 4, On a discute a 1'infini sa mission, ses visions, son proces, sa prison, ses juges, son martyre, sa famille. On a fait un atlas de ses voyages et de ses expeditions militaires; on a discute son sejour dans chacune des villes ou elle a passe, de sorte qu'il est maintenant possible de faire un pelerinage commengant a Domremy et se terminant sur la place du Vieux Marche de Rouen.
D'aucuns ont affirme qu'elle etait lorraine, d'autres qu'elle etait champenoise ; d'autres enfin ont nie qu'elle fut frangaise. Un erudit ambitieux a calcule ce que Jeanne d'Arc avait coute a la France et a 1'Angleterre. Et cette liste de deux mille titres est bien loin d'etre complete. Innombrables sont les pages, documents, livres, les productions de 1'art, de 1'esprit et du coeur, qui se rapportent a Jeanne d'Arc. II n'y a pas dans 1'his- toire un seul homme, ayant disparu avant d'avoir complete sa dix-huitieme annee, qui soit aujourd'hui aussi vivant que cette jeune Franchise. Si maintenant vous relisez une partie des pages de nos auteurs, inspirees par elle, il est une verite qui s'impose : les grands faits de 1'histoire humaine, presentes avec le simple respect de la verite,.
I'emportent de beaucoup en interet sur les ceuvres de fiction, romans ou drames, bases sur ces memes faits, mais deformes par les imagi- nations les mieux intentionnees.
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L'histoire prend une place de plus en plus grande dans la litterature contemporaine, maintenant qu'elle a a sa disposition toutes les autres sciences, ses servantes, comme au moyen-age les sciences etaient les servantes de la theologie. Jamais cela n'a ete plus vrai que pour Jeanne d'Arc.
Hanotaux, son dernier historien, s'en est rendu parfaitenment compte lorsqu'il a ecrit: "II faut que tout ecrivain, tout artiste, qui touche a un tel sujet, apprenne a quel ridicule definitif il s'expose, s'il s'eloigne de la simple et nue verite. Anatole France, autre historien recent de Jeanne d'Arc, car il s'est borne a exposer, d'une main de maitre et avec un art consomme, les simples temoignages de 1'histoire, c'est a dire des faits.
II y a exactement un an, on fetait en France le cinquieme centenaire de la naissance de Jeanne d'Arc. Nous sommes aujour- d'hui temoins que la memoire de Jeanne n'est pas non plus oubliee en Amerique. Pour 1'Americain comme pour le Frangais, le patrio- tisme n'est pas une affaire de race, mais 1'amour pour 1'ideal pur et genereux qui est au cceur de tous les vrais patriotes. Si La Rochefoucauld a dit que 1'absence eteint les petites passions et accroit les grandes, on a aussi dit qu'il en est des gloires comme des passions : seules les toutes grandes gloires subsistent et s'accroissent : temoin la gloire de Jeanne d'Arc, qui n'a fait qu'augmenter avec le temps.
II y a trois ans, Jeanne a etc mise au rang des bienheureuses, par les representants de la meme Eglise dont d'autres representants 1'avaient autrefois condamnee a la mort infamante. Les catholiques frangais n'ont du reste pas attendu la beatification de Jeanne d'Arc pour la mettre sur leurs autels. Catholiques, protestants, juifs, Frangais de toutes les croyances, ne la venerent pas moins, et ne la venerent pas davantage non plus, maintenant que tardive justice lui a etc rendue.
Comment expliquer 1'interet que notre age temoigne pour tout ce qui se rapporte a Jeanne d'Arc?
097651 FRENCH REVOLUTION silhouette Jeanne d'Arc devant ses PC
C'est qu'a bien des egards elle est moderne. Par toute sa vie, elle affirme le droit de vivre libre sur le sol natal. Elle fait la guerre a 1'envahisseur. Elle proclame la legitimite de la guerre de liberation, centre le droit de conquete, contre la guerre excitee par la convoitise malgre les tres nobles pretextes toujours invoques.
On a dit que Jeanne personnifie le bon sens, le courage vif, la repartie prompte, le coup d'oeil juste, la bonne humeur, toutes qualites cheres aux Frangais: M. Hanotaux le reconnait, et il dit meme qu'il est inutile d'insister, tant cela lui semble evident. N'est-elle pas bonne, charitable, genereuse envers les pauvres pendant son enfance? Ne montre-t-elle pas toute sa vie de la sympathie pour le faible et pour le vaincu? Pen- dant sa periode de triomphe, Jeanne est decidee et prompte, sans hesitation et sans peur.
Elle exerce sur les hommes un veritable ascendant. Elle comprend et juge la situation. Elle em- barrasse ses juges, qui 1'avaient condamnee d'avance, parce qu'elle ne leur fournit pas de bons pretextes a condamnation. Elle est maitresse de 1'ironie, cette arme bien franchise. Un de ses juges lui demandait si les saintes qui lui parlaient s'exprimaient en fran- gais: "Mieux que vous," repondit-elle a 1'interrogateur qui avait fortement 1'accent de sa province.
A 1'injustice elle oppose 1'ironie mordante, qui affole ses juges, car dans Enumeration de leurs griefs, ils n'oublient pas de 1'incriminer dans les termes suivants : "Jeanne ne craint pas de parler sans respect des plus grands personnages, se permettant un ton de moquerie et de derision. A cet ideal plutot male, Jeanne joint 1'ideal le plus aime de la femme, la chastete et la pitie: chaste et pure, elle le fut; il lui repugne aussi de verser le sang ennemi ; en vraie femme enfin, avec la pitie immense qu'elle a pour le roi et pour le peuple frangais, elle ne se contente pas de regarder et de pleurer, mais elle se jette courageusement dans 1'action.
Quoi d'etonnant a ce que Jeanne ait ete veneree en France pendant des siecles? Quoi d'etonnant a ce que sa memoire soit veneree aujourd'hui, meme dans cette ville si eloignee du pays de sa naissance, ou nous esperons bientot voir un monument digne de 1'idee que nous nous faisons de cette enfant pure?
Si Jeanne d'Arc est moderne,si elle est encore si appreciee au XXe siecle, a d'autres egards elle appartient au moyen-age, et pour cela elle fera toujours appel aux imaginations religieuses. Comme le moyen-age, elle a la foi mystique et absolue. Pleine de confiance en sa mission, brulant d'un amour intense pour son pays et pour le roi qui le symbolise, elle voulait parti au secours de la France, "im- patiente, nous dit un contemporain, comme une femme enceinte qui attend son accouchement.
Toute cette grande impulsion fut donnee par la Pucelle, mais son intervention aurait pu etre reduite a neant, si Jeanne n'etait tombee au pouvoir des politiques anglais et bourguignons qui la condamnerent a etre brulee vive. Jugee par des politiques, condamnee par des politiques, du reste abandonnee par les politiques qui entouraient Charles VII, sa mort a complete son oeuvre. Transformee en martyr, Jeanne morte a ete plus grande et plus puissante que Jeanne vivante. En refusant de reconnaitre devant ses juges que la cause de Charles VII n'etait pas la cause de la justice divine, elle a fait pour son pays le supreme sacrifice.
On n'a pas eu tort de faire remarquer que Jeanne aussi a eu son Golgotha; elle a eu'elle aussi'son moment de defaillance lorsqu'elle s'est ecriee, en apprenant qu'elle allait etre brulee: "Mon corps net et entier qui ne fut jamais corrompu sera consume et reduit en cendres. Un tel sacrifice ne pouvait etre inutile dans un pays ou, comme Lincoln en Amerique, les heros nationaux sont d'abord ceux ont peri en luttant dans une grande cause. Pour comprendre le prodige accompli par Jeanne d'Arc, il suffira de rappeler qu'au moment ou elle apparait sur la scene, la France est divisee, dechiree en deux grands partis.
D'autre part les partisans du due de Bourgogne, un des grands princes feodaux, allie de pres par la naissance a la famille royale de France, allie par le mariage a la famille royale d'Angleterre. Comme presque tous les grands princes feodaux d'alors, le due de Bourgogne combattait pour son agrandissement personnel, aux depens du roi de France son suzerain. A cote de ces deux partis, comme le troisieme larron de la fable, le roi anglais qui voulait la succession a la couronne de France, en vertu du pretexte qu'il etait par les femmes 1'heritier direct de Philippe le Bel.
En theorie, deux rois pour la France, deux maris pour la meme femme, un de trop. En fait, 1'anarchie: les Anglais occupaient plus de la moitie de la France, et Charles VII, qui avait perdu ses plus belles provinces, n'etait plus que le roi de Bourges. Au moment ou Jeanne parut, la France etait done dans une situation desesperee. Partout la guerre civile, la violence, le vol, le meurtre, le rapt, la misere physique et morale. Les misereux n'ont guere de patriotisme, et il y avait une indifference presque generate au triomphe ou a la defaite du parti national.
Le patriotisme frangais date d'avant Jeanne d'Arc. Du jour ou la Chanson de Roland avait commence a faire couler les larmes des chatelaines en extase devant le troubadour et le trouvere, a la seule mention de "douce France," il existait dans le coeur des Francois un sentiment profond pour le sol natal. Le patriotisme qui a commence avec 1'amour du clocher et 1'amour de la terre, vous savez que nos populations frangaises 1'ont eu.
L'amour de la famille, de la petite communaute qui vit autour du clocher, a ete si profond qu'il s'est senti a 1'etroit chez nous; il a eu besoin de s'etendre en dehors des limites du village; il s'est epanche sur tout le pays ou Ton entendait le doux parler de France. Puis pendant les jours de malheur amenes par la guerre de Cent Ans, comme consequence des haines politiques qui opposerent province a province, ville a ville, village a village, il s'est fait une reaction profonde.
Le scepticisme fit place a 1'en- thousiasme national, le doute a la foi. On se demanda si la France valait les sacrifices que Ton avait faits et les miseres que Ton endurait, C'est alors que parut Jeanne, qu'elle reveilla 1'esprit national, par sa vie et surtout par sa mort, car 1'idee de patrie avait un martyr de plus. Grace a Jeanne, la France a repris conscience d'elle-meme ; grace a elle, patrie est un element necessaire. Le patriotisme frangcais a atteint son unite nationale. Le patriotisme frangais a atteint une autre de ses plus sublimes expressions en La France d'alors, par sa soif de la liberte, qu'elle ne desirait pas pour elle-meme seulement, mais dont elle voulait doter les autres pays, inspire alors a un Allemand le plus grand compliment qu'un etranger puisse lui faire: "Tout homme a deux patries, celle de sa naissance et la France.
Honneur a Jeanne d'Arc qui restera en France et a 1'e- tranger le symbole du patriotisme le plus pur! Honneur enfin aux citoyens libres de cette grande Republique Americaine qui ont eu 1'initiative de la genereuse entreprise en 1'honneur de laquelle nous nous sommes reunis ce soir en si grand nombre! Joan of Arc's Home.
It was located in Domremy, France, and therein she was born. Modern photograph. After the painting by P. From a photograph. From the painting by J. Lenepveu, in the Pantheon. After the painting by Bartolini. After the painting by Raphael. Fanciful picture. From the painting by P. After the painting by Maurice Denis. After a painting by P.
Blanchard, in the Paris Salon of From the painting by Michel. After the paint- ing 1 by Michel. From a fanciful engraving. Engraving by Wale. After the painting by J. Window in the church of Vaucouleurs, the work of the Cath- olic Institution. En- graving by J. Galland from drawing by H. Engraving by Aristide Cholet from the painting by Papety. From a photo- graph. From the painting by Ingres, in the Museum of the Louvre. From the mural painting in the Pantheon, by J. From the painting by G. After the painting by Ingres, in the Louvre Gallery. After the mural painting in the Pantheon, by J. Engraving by Joh.
Demare, after the painting by Vinchon. Carrier- Belleuse. Jacques, at Compiegne. Engraved by Fossard. Gatien at Tours. Engraved by W. Capone from the drawing by T. From the painting by Patrois. From a modern photograph. Photograph of an old drawing. Engraving by Marius Sepet. Engraving Aus d. Kunstanst d.
Eigenthum d. From the fresco in the Pantheon, by J. From the painting by Bartolini. Peter's in Rome, April 19, From a photograph of the scene. Vanderbanck 79 Ceremony of Beatification, interior of St. Peter's, Rome, April 19, Peter's on Day of Beatification. Touchet Reading Discourse at the Beatification. Peter's on the Day of the Beatification.
Touchet, in St. Pontiff of Beatification of Joan of Arc. During his pontificate the cause was introduced. Under his pontificate Joan of Arc was declared to merit being enrolled among the saints. He sustained the cause of Joan of Arc at Rome. He presented the cause of Joan of Arc at Rome.
Touchet, Bishop of Orleans. He continued the cause of Joan of Arc with indefatigable zeal. Inaugurator of plan to canonize Joan of Arc. Successor to Mgr. Dupanloup as Bishop of Orleans. He was president of the court which sentenced Joan of Arc. Engraved by J. Parker, from original picture in the collection of Hon. Horace Walpole, Strawbery Hill. He was the third son of King Henry IV.
Engraved by Basan from the drawing by Vertue. He was born at Dijon, France, ; died at Bruges, An engraving. Engraving by Droyer. He was born at Paris, Nov. Germain-en-Laye, near Paris, Nov. Engraved by Gaillard, after the painting 1 by F. Natural son of Louis, Duke of Orleans. Engraved by Harding from a portrait in Mont- faucon. Berry; assumed government in ; became deranged in , whereupon a dispute for power arose between the Duke of Burgundy and the King's brother, the Duke of Orleans, the former who died in gaining. He married Isabella of Bavaria. Engraving from the collec- tion of Mons.
Instead of favoring the cause of her son, Charles VII. She was born in ; died in Engraving by Pannier. Engraving by Derly from a draw- ing by Deveria. Engraving by Pinssio from a drawing by Boizot. Engraving by Jones from a drawing by Singleton. Engraving by Masson from a draw- ing by Philippoteux. Following an authentic contemporaneous description.
An old engraving. From Kate D. Engraving by R. Page ; pub'd by J. Engraving by Pollit, from painting by J. Ingres in Engraving, J. Engraving by S. Hollyer, after J. Engraving by Geoffrey from drawing by G. Fanciful figure in armor. Engraving by J. X 35 Joan of Arc. Cowperthwait Joan of Arc. Engraving by W. Engraving by Hinchliff, after Lecurieux.
Engraving by Mackenzie from an original in the town of Orleans; pub'd by T.
Hurst, London, Engraving by Bien. Engraving by M. Engraving by N. Le Mire, after an old painting in the Hotel de Ville at Orleans. Engraving 1 by G. H9 Joan of Arc. Cooper, from an old print by Marcenay. Engraving by G. Joan of Arc. J 53 Joan of Arc. Engraving by Beisson. Old engraving by B. Gardiner; pub'd by E. Harding, London, Engraving pub'd by James Sindee, London, Engraving 1 by Schubert. Engraving pub'd by Furne, Paris. Engraving by Audibran ; pub'd by Furne, Paris. Engraving, Rosmaster, Dresden. Pass, after the picture by Godefroy.
Engraving by Mackenzie from original drawing. Pencil drawing by Juliette Desgrany, Engraving by Colin after picture by Jules Uzanne. He was born at Windsor, Eng 1. He married Margaret, daughter of Rene, titular King of Naples, and in was stricken with insanity. Engraving by P. Vanderbanck, after the picture by E. Engraving by Chambers.
Gardner, after the picture by S. Engraving pub'd by S. Oddy, London. Engraved by Vertue. Engraving by Rhodes; pub'd in , by J. Wallis, London. Thornthwaite ; pub'd in , by T. Cadell, London. Chapman; pub'd in , London. Old engraving. Engraving by A. Warren; pub'd in , by J. Stratford, London. Engraving from a painting on a panel at Kensington Palace. Ridley for C. Cooke, London, from the painting in Kensington Palace. Engraving by B. Reading; pub'd in , by T. Engraving by White in an old English book. Engraving from an old book printed in England. Engraving pub'd in , by Edward Harding, London.
Engraving from an old book. Engraving by Rogers, from a drawing by Vertue. Engraving from a very old book. On his accession he found a rival in Henry VI. The English were masters of the entire country north of the Loire, including the capital, and in invested Orleans, which was delivered by Joan of Arc in He was crowned at Rheims, France, on July 17, , and entered Paris in He married Marie d'Anjou, and his mistress was Agnes Sorel.
Engraving from an old history. Engraving 1 by P. Thomson after the drawing by Boizot. Engraving published in , by J. Wilkes, London. Engraving by Pinssio, from the drawing by Boust. Engraving from the collection of Clement Gressier, Paris. Engraving from La Veu Hu- rand, Paris. Prevost from the drawing by C. Cochin's son. Engraving by Charles Witt- mann. Engraving by Marcenay, from portrait owned by Marquis de Brancas. Engraving by Le Maitre after the drawing by Vernier. An old engraving 1. Engraving from an ancient portrait. Engraving by Swebach after the painting by Mme.
Engraving from "Vieux Chateaux de France. Engraving by C. Riedel after the drawing by A. Engraving by Metzmacher, Engraving 1 by Cazenave. Engraving by Lovichon after the drawing by Chasselat. Engraving by Bein. Schultheiss after the drawing by Fr. By De Monvel. By De Monville. Chevallier Tayler, Colored print. Erected at Bonsecours, France. Sculptor : Barrias. Erected in the Luxembourg, Paris. Sculp- tor: Cordonnier. Erected in the Museum at Versailles. Sculptor: Princess Marie of Orleans. Erected in the Louvre, Paris. Sculptor: Rude. Erected at Orleans. Sculp- tor : Albert Lefeuvre.
Sculp- tor: Fremiet. Erected in the Paris Salon, Sculp- tor: Ray Rivoire. Erected in the Luxembourg 1 , Paris. Sculp- tor: Chapu. Erected in the Cathedral of Rheims. Sculptor: Prosper d'Epinay. Sculptor : De Marcilly. Erected in Paris. Sculptor : Bourgouin. Erected in Church of St. Augustin and Notre Dame de la Gare, Paris. Sculptor : Jules Dechin. Erected before St. Denis Church, Paris. Erected in Church of the Madeleine. Sculptor: Raoul Larche. Sculptor: R. De Meurville. Sculptor : Raoul Larche.
Sculptor : Charles Desvergnes. Erected at Compiegne, France. Sculptor : A. Sculptor: Emile Chatrousse. Sculptor: Mercie. Erected in the Pantheon, Paris. Sculptor: Paul Dubois. Shown in the Salon des Artistes Frangais, Sculptor : Anna V. Erected in Place des Pyra- mides, Paris. Sculptor: E. Erected in Philadelphia, Pa. Erected in Lafayette Square, Nancy, France. Shown in the Salon of , Paris.
Sculptor: Foyatier. Bas-relief on the statue in the Place du Martroi, Orleans, showing her capture. Sculptor: Vital-Dubray. Bas-relief on the statue in the Place du Martroi, Orleans, showing her departure. Bas-relief on the statue in the Place du Martroi, Orleans, showing her entering that city. Sculptor : Vital-Dubray. Erected in the Place du Mar- troi, Orleans.
Shown in the Paris Salon of Erected at Paris, in the Place des Pyramides. Erected in the Place des Pyra- mides, Paris. Erected in the garden of the old bishopric at Orleans. Sculptor: Level. Erected at Vaucouleurs. Erected on summit of Ballon d'Alsace, in environs of Semur. Shown in the Paris Salon, Sculptor: Anna V. Erected at Chinon, France. Sculptor: J. Erected in the Cluny Museum. Shown at the Paris Salon, Sculptor : Paul Dubois. Hanotaux print. In this engraving Jeanne is seen using a curved weapon ; such curved swords were in use from the time of the Crusades and were called "Turkish weapons.
From "Die Cronycke van Hollandt, Zeelandt. From "La Legende doree," printed in French by Ant. Verard, in Leu ; From "Chronique de Hollande. From "Bertrand du Guesclin"; Lyon; G. Le Roy. His portrait from "Bertrand du Guesclin. Drawn from an ancient plan. From "Chroniques de France," printed for Ant.
From a broadside printed in , for Jehan du Pre. From "Chronique de Hol- lande. Le Caron. From "Grandes Chroniques," last page. Drawn by R. Favier from design on very old playing-cards. From "Les Heures a 1'usage d'Amiens"; printed for Ph. Pigouchet; end of XVth Century. From "Miroir de Redemp- tion"; Bale; Richel ; From drawing by R. Favier of original in Musee du Puy. From "Dialogo de la Salute"; Ancona; From Heures a 1'usage de Romme"; by Jehan du Pre; From the "Missel de Paris"; Simon Vostre; From "Bergomensis Jacobus Philip- pus Supplementum chronicorum.
Bernardino of Siena Preaching. From "Fra Roberto Caracciolo Prediche"; From "Speculum fratrum minorum," in "Officina magistri Karoli, From "Chro- nique de Hollande" at the end. From "Grandes Chroniques" ; ed. From "Rappresentazione di San Eustacio"; Florence, From "Chronique de Hol- lande," at the end.
Jehan du Pre. From Lirers Chronik. Louis and St. From "Grandes Chroniques de France. From "Legende des Saints"; J. From "Sermones Sancti Augustini" ; edit. Anthony of Florence. From "Chroniques de France" ; printed for Ant. Verard ; Du Pre. From "Grandes Chroniques. By Jean Fouquet; sketched by R. Lying Between "Intelligence" and "Melancholy. From "Diets et Ballades de M. Alain Char- tier"; about From the bust in the gallery of the Prince of Wurtemberg.
After Gaignieres ; After a water- color of the Cabinet des Estampes ; sketched by R. From "Die Burgundische Historic" ; Strasbourg ; After the engraving of the Cabinet des Estampes ; sketched by R. From Bertrand du Guesclin. After a portrait in the Cabinet des Estampes ; sketched by R. From a document pre- served in the Depot des cartes et plans of the Bibliotheque Na- tionale.
From "Sermons de S. From "Gregorii Home- lia"; Venice, From "Livre des Fontaines," ; after Sarrazin. From "Lirers Chronik. Sketched by R. Favier from a print in the Cabinet des Estampes ; Bibliotheque Nationale. From "Bertrand du Guesclin. Mark of Jean Bocard, bookseller of Paris. After Sarrazin. By Lucas of Leyden, from "Chronique de Hollande. From "Mer des Hystoires. Augustin"; After Gaignieres.
Sketched by the clerk at the trial; from Vallet de Viriville's "Recherches iconographiques sur Jeanne d'Arc, dite la Pucelle d'Orleans," From "Heures a 1'usage de Rom- me" ; by Ph. From "Missale Verdunense" ; printed for Jehan du Pre; From Bibl. Ouen in. From a drawing preserved in the Bibliotheque Nationale, Cabinet des Estampes. Van den Dorp ; Thomas Aquinas, and the Teaching of the Church. Hano- taux print. From "Commentaires sur Aristote" ; Venice, From "De Imitatione Christi"; Communication of M.
From "Bergomensis Jacobus Philipus Supplementum chronicarum" ; After "Caracciolo," From "Heures a 1'usage de Romme"; From "Grandes Chroniques de France"; printed for Ant. Verard; From a stained-glass window; Cab. From a picture in the archiepiscopal residence at Rouen ; sketched by R. From Collection Gaignieres, Bibl. From the miniature of the "Proces de Rehabilitation" ; Bib. After a picture in the Louvre, Paris.
Kneeling Before a Pieta. Sketched ,by R. From a miniature of the "Champion des Dames" ; about Published in Grassailles "Regalium Franciae libri duo"; Lyon; Du Mond. Du Mcmd. I, the copyright holder of this work, hereby publish it under the following license:. Structured data Items portrayed in this file depicts P Category : Plaques commemorating Jeanne d'Arc. Namespaces File Discussion. Views View Edit History. This page was last edited on 28 January , at Files are available under licenses specified on their description page.