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Prynne Furtherance The Figures Jack Kerouac Book of Haikus Penguin Jen Hofer, trans. Jim Yong Kim, et al.

Joanna Fuhrman Belladonna Moraine Belladonna Joanne Wasserman The Escape Futurepoem John Ashbery Selected Prose Michigan Jonathan Brannen deaccessioned landscapes Chax Press Jonathan Minton, ed. Silem Mohammad A Thousand Devils Kaia Sand Interval Edge Books Katherine Lederer "Brainworker" poems The Canary 5 reading Kathleen Jesme Motherhouse Pleiades Press Kenneth Goldsmith, ed. Kiosk 4 Laura Elrick sKincerity Krupskaya, Lisa Robertson "Wooden Boats" Jacket Lutz Seiler In the year one Giramondo Mary Burger Sonny Leon Works, May Sarton Letters from Maine W.

Mehmedinovic, Semezdin Nine Alexandrias, trans. Ammiel Alcalay City Lights Melissa Kwasny, ed. Michael Cross click, click unpublished mss Miguel de Cervantes, tr. Mikhail N. Miklos D. Paul Celan Lightduress Trans. Pierre Joris Green Integer Phillip K. Pierre Bourdieu Masculine Domination Polity Narayan, version The Ramayana Penguin Rachel Levitsky Under the Sun Futurepoem Renee Gladman The Activist Krupaskaya Richard F. Sashkia Hamilton Farrar, Straus and Giroux Robin Blaser The Irreparable Nomados Ron Silliman, ed. Rosmarie Waldrop Blindsight New Directions Santo Cali' Yossiph Shyrin Ed.

Hulule Les Laboratoires d'Aubervilliers Shakespeare The Merry Wives of Windsor various ish. I cut out the words and only kept these pauses. For me, these are the real messages, the heaviest messages.

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I would like to draw your attention to this time-lapse map of Japanese artist Isao Hashimoto. It spotlights nuclear explosions that have taken place between and Alternative Symbol: Implosion vs. Explosion So, we know the exact time and place of the first atomic bomb: July 16, , at a. To be exact, the birth of the modern world is the Alamogordo Bombing and Gunnery Range now known as the White Sands Missile Range , and in an ironic twist, owing to the Atari video game burial of , Alamogordo could also be known as a mass grave of our modern world:.

This was… a mass burial of unsold video game cartridges, consoles, and computers undertaken by American video game and home computer company Atari, Inc. The goods disposed of through the burial were generally believed to have been unsold copies of E. If the bomb is a great source of inspiration and fascination you have to agree that the whole Atari burial thing is quite something as well. And the cherry on the cake goes to the Vice Admiral Blandy, and his wife cutting the Atomic Cake in a ceremony celebrating the first explosion in a post war era peacetime.

All is a question of perception and attitude. End of the World Narrative vs. Speed of the World The great acceleration of human activities that has been happening in the last 60 years has also transformed our perception of the world. But Speed is an interesting word. And even if everything goes by faster and faster, we believe that everything will be okay.

Everything has to be okay for things to go on. And we like things to go on. This message of hope is conveyed in every advertisement, in every slogan: Beyond Petroleum bp , Make things better Toyota , Solving Challenges Halliburton or Solutions are in our nature David Suzuki —all offer visions of optimism and possibilities. In , we all witnessed the Gulf of Mexico oil spill. For me, it was a watershed moment of great sadness.

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I was emotionally shaken by what I was seeing. Like many, I stood there powerless, watching the strange image of oil gushing out of a pipe. We were witnessing an endless leak of oil, right in the middle of the so-called Peak Oil period. What followed changed our perception of disaster.

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I think from that moment, no disaster would be seen the same way. He spoke of the uncertainty and the scope of the event, noting that it would never be as big as the Exxon Valdez. The doctor talked about the oil spreading over a much longer period of time than the spill from the ill-fated tanker and explained how the effects would be less severe.

And somehow the disaster went away. Normality prevailed. Less than a year later, on March 11, , we collectively witnessed the Fukushima Daiichi nuclear disaster. Eighteen months after the meltdown, the Olympic Committee announced that Tokyo kilometres from Fukushima would host the Summer Olympics. And suddenly, rapidly, successfully our planet becomes a house; we can close the Gulf of Mexico door or the Fukushima door and celebrate all that is good in the world.

We would like to think that. The lesson to be learned from both of these disasters is one of attitude and perception. If such disasters can occur so close to us, to them, and everything is fine , then we have to realize that the disasters to come have a serious benchmark to surpass in order to be qualified as worrisome.

The earth can take it. She is tough. Our function will be to document what is out there, but more importantly, we can keep the door open and make sure that the curtain stays up. Wassily Kandinsky said that artists have a responsibility to speak about their time, to speak about the spirit of their age.

To paraphrase Roy — the leader of the renegade Nexus-6 Replicants in the movie Blade Runner, I will add that not speaking about our time here, would be like losing tears in the rain. If we take responsibly for something, we acknowledge that we can do something, and to forfeit this opportunity is like losing tears in the rain. February 15 - March 4, Centre Pompidou, Paris. Art Marbella, Spain. Estas son preguntas frecuentes en las inauguraciones de bienales, ferias o eventos internacionales… la respuesta casi siempre queda en el aire.

Alianza Francesa, Barranquilla, Colombia. Political Jam. Plataforma Canibal, Barranquilla, Colombia.

Saatchi Gallery

Caminos Reales. Museo del Caribe, Barranquilla, Colombia. Zona Macondo. A dialogue already initiated during his adolescence when he read Hundred years of solitude , a high place of Incluso, su propio cuerpo se ha convertido en soporte de creaciones y modificaciones que realzan su estatus como objeto y sujeto de subjetividades.

Villa Vassieff, Paris. La Colonie. University of London. It was a shock to him.

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Dak'Art Biennale, Senegal. Raw Material company, Dakar. How to mourn an independence? By allowing such a question, the artist of Martinique, a department in need of a country, except on the way of the world, a question whose specific point subsists against all odds. More generally, the artistic activism helps dispel illusions and to thwart the false chords by showing, raw and bare, contradictions and other blunders that make the coloniality of power. Subabiennale, Senegal. Art Brussels Private Collections program, Belgium.

Para Site, Hong Kong. Seule contre l'Univert. Fuego Fuego, Costa Rica. Bandung, Indonesia. Bandung Spirit International and Multidisciplinary Conference in the framework of the commemoration of the 60th anniversary of the Bandung Asian-African Conference, Bandung, Indonesia.

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October , The Auction Room, London. Yiadom-Boakye is of Ghanaian descent but was born and lives in London. Saatchi Gallery, London. During Miami Art week. Sunday, November 30, am - 6pm.


December: Exhibition open only by appointment during Art Basel Miami. Saatchi collection. Curator: Herman Bertiau. Volta basel. Volta NY. Ackee Spot Contemporary. Place Toussaint Louverture.