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Gaiman is clearly in his element here. Both Violent Cases and Mr. Until now. It features a level of craftsmanship, focus, and control that we normally associate more with literary fiction than genre.

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Besides, a story about a man sitting on a bench might be more compelling than it sounds. Comic book readers will remember that Gaiman once changed the course of an entire medium with a simple story of the Sandman sitting on a bench, feeding the pigeons, and chatting with his sister.

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It takes very careful and nuanced writing to make a story like this work. The result is a communion between author and reader where the process of reading is as visceral as it is intellectual, and where the experience of reading takes on a life of its own, just as important as the details of the plot. In my case, I read The Ocean at the End of the Lane outdoors, under a shade tree, on a spring day with an impetuous breeze that kept trying to flip the pages forward with each gust, stealing glances at the next chapter, as it were.

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The Ocean at the End of the Lane is, indeed, a wise book about many things, from the uncertainty of memory to the destructive nature of money. But Gaiman saves his most perceptive observations for the differences between children and adults.

As the narrator explains, children see, taste, and experience the world very differently than adults, and the narrator frequently reminds us of these differences, interspersing his narration with knowing little aphorisms about childhood. The things that are important to us when we are seven become the things that are important to us as we read, and Gaiman reminds us of the kinds of details that make a bedroom special to us as children. He shows us what it feels like to experience truly great-tasting, transcendent food for the first time.

And he illustrates why children often make much better navigators than adults when you really need to get from one place to another. These are the sorts of truths that we all used to know but forgot at some point in between paying the mortgage and filing taxes. Mark Twain once said that Tom Sawyer was a book for boys while Huckleberry Finn was a book for people who used to be boys. The Ocean at the End of the Lane is a book for people who used to be children For director Oliver Murray, music exists in the air, but the emotional archives of former Rolling Stones bassist Bill Wyman gives viewers a tactile experience of this band's story in The Quiet One.

Culture and media critic Kate Eichhorn's The End of Forgetting explores how relentlessly documenting young lives allows little room for the unfettered joys of imaginative freedom and perpetuates a seemingly endless state of childhood.

An Ocean Of Memories

On their first album in more than ten years, Jack White's acclaimed foursome the Raconteurs are back with a solid collection of songs. Reissued Japanese psych-folk cult classic Misora shines a new light on the genius of singer-songwriter Sachiko Kanenobu. Glasgow-based indie poppers Sacred Paws offer up a second album full of brisk, bright songs that draw from several styles, notably Afrobeat and post-punk.

Women with economic privilege are positioned to celebrate Nike's "Dream Further" ad as progress while ignoring their complicity in the exploitation of other women. As impossible impressions, real parts of oceans seem to have been extracted, intact, before being fixed in matter. Through this new collection, Mathieu Lehanneur plays a permanent balance between geometric and organic. Each of the works reveals this fluid and progressive transition between the two states of matter. At the same time furniture and sculptures, these fragments of oceans are a potential life fixed forever in stone and brass.

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Exhibition Mathieu Lehanneur Ocean Memories. About the Exhibition. View More Works. Mathieu Lehanneur View profile. Workshop Mail Join our mailing for news and updates.