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In the early nineteenth century, the availability of cheap lodgings caused an influx of poor Irish labourers, who patronised a legion of gin-shops in the vicinity, an area celebrated in a comic song by Moncrieff. Antoine a breeding ground for vice and revolution, the cheap gin of London seems to act as a soporific, encouraging petty crime but nullifying the possibility of the concerted action necessary for a revolution.

Hayward in , who writes: Tom King was a character in W. Moncrieff's farce Monsieur Tonson. He described himself as "a jolly dog" who worried to distraction M. Morbleu, a French barber of Seven Dials, by repeated enquiries for a Mr. The Irish had settled here from Elizabethan times. And by the beginning of the nineteenth century, St. Giles became the dirtiest slum of London with a lot of the Irish living in filth and poverty, and it was often called 'little Dublin'.

By the time Dickens wrote Sketches by Boz , Seven Dials was no longer a place for pardonable merry-making of old England, but a noisy, riotous place where the Irish either idled about the gin-shops, or scolded, drank, squabbled, fought and swore on the street. Michael Slater notes that this "comic reportage" 53 of is one Dickens's earliest Tibb's-narrated accounts of life on the London streets, from Bell's Life in London for 27 September as "Scenes and Characters No.

In contrast to the crude, bellicose posturing of "Mary" and "Sarah" in the irregular square resulting from the conjunction of two alleyways are the twin gas-lamps and the ornate cornice with a lyre motif, producing a harmonious neoclassical architectural setting for the rowdy "hussies. Even though the name "Belzoni" conjures up an exotic setting far away on the desert sands the explorer of Egyptian antiquities was the first to penetrate into the second pyramid of Giza , the picture opposite prepares the reader for a confrontation in a section of the metropolis utterly foreign to Dickens's middle-class readers, so that the picture does not merely prepare the reader for the brawl; it also undercuts the classical allusion of "The Gordian knot" 51 , the historical allusion to "the maze at Hampton Court" and the topical allusion of "the maze at the Beulah Spa" which opened in August , its neoclassical gardens having been laid out by Decimus Burton, the noted architect, who also designed the Spa House and The Lodge.

The erudite allusions appealing to the well-informed and well-educated reader who is about to penetrate the mysteries of the Dials contribute to the narrator's sophisticated tone and verbal posturing, which the brawling Irish women sharply undercut simultaneously the text on page 51, right, and the contrasting Cruikshank image, left. The two alleyway entrances on either side of the open door centre rear imply a certain theatricality or staged quality to the scene, as if the reader is watching the action unfold on stage, in a "real-life" drama whose principals are neither aristocrats nor bourgeoisie; although representative of the lowest elements of London society, Dickens and Cruikshank render them worthy of our attention.

An open area in the parish of St.

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Andrew's street, Little St. Andrew's-street, Queen street, radiate, and so called because there was formerly a column in the centre, on the summit of which were seven sun-dials, with a dial facing each of the streets. The Crown subsequently let the hospital land on a series of leases. In , William III granted Thomas Neale, freehold of the land known as 'Marshland' or 'Cock and Pye Fields' named after a public house on the site in return for his raising large sums of money for the Crown.

This was a substantial financial commitment for Neale and he had to find a way to lay out a development that would maximise profit. His solution was imaginative; by adopting a star shaped plan with six radiating streets subsequently seven were laid out , he dramatically increased the number of houses that could be built on the site.


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Plans submitted in to Sir Christopher Wren, the Surveyor-General, for a building licence showed at least houses and an estate church. Construction started in March and as soon as the seven streets had been laid out, sewers installed and the initial corners developed, Neale commissioned Edward Pierce to design the Sundial Pillar to be placed at the very centre of the site. Neale aimed for the site to be popular with respectable, well-off Londoners, following the successful development of the nearby, fashionable Covent Garden Piazza area.

The first inhabitants were, indeed, respectable gentlemen and prosperous trades people, but unfortunately this did not last. From , when Neale disposed of his interest in the site, the area started to deteriorate, becoming increasingly commercialised as the houses were sub-divided and converted into shops, lodgings and factories. At one stage, each of the seven apexes facing the column housed a pub.

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Giles, London. Accessed 24 April Left: Fred Barnard's much more congenial scene of the female denizens of the Dials passengers conversing amicably in the street, Now, anybody who passed through the Dials on a hot summer's evening, and saw the different women of the house gossiping on the steps, would be apt to think that all was harmony among them, and that a more primitive set of people than the native Diallers could not be imagined Right: Sol Eytinge, Jr. The shops are selling shoes which are lining up on the floor around the opening from under the ground. Children and their mothers are in front of them.

This image was first published in Douglas Jerrold's London, a Pilgrimage , on p. Cruikshank brilliantly realises the comedy of the rich working-class dialogue, capturing in the expressions and postures of the Irish women their feisty characters.

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Although his pot-boy does not pause as he exhorts "Mary" to pitch into her adversary he is "drawn from life," with a portable rack for his beer tankards. However, the group study by Barnard offers a contrasting view of class and female solidarity akin to Barnard's depiction of the women of St. Antoine in his illustration of the denizens of the working-class suburb near the Bastille, St. Antoine in which, as here, Barnard sees the women as a civilising force, even in the midst of poverty and privation.

Ackroyd, Peter.

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Dickens: A Biography. At one stage, each of the seven apexes facing the column housed a pub. Giles, London. Accessed 24 April Left: Fred Barnard's much more congenial scene of the female denizens of the Dials passengers conversing amicably in the street, Now, anybody who passed through the Dials on a hot summer's evening, and saw the different women of the house gossiping on the steps, would be apt to think that all was harmony among them, and that a more primitive set of people than the native Diallers could not be imagined Right: Sol Eytinge, Jr.

The shops are selling shoes which are lining up on the floor around the opening from under the ground. Children and their mothers are in front of them. This image was first published in Douglas Jerrold's London, a Pilgrimage , on p. Cruikshank brilliantly realises the comedy of the rich working-class dialogue, capturing in the expressions and postures of the Irish women their feisty characters.

Although his pot-boy does not pause as he exhorts "Mary" to pitch into her adversary he is "drawn from life," with a portable rack for his beer tankards. However, the group study by Barnard offers a contrasting view of class and female solidarity akin to Barnard's depiction of the women of St.

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Antoine in his illustration of the denizens of the working-class suburb near the Bastille, St. Antoine in which, as here, Barnard sees the women as a civilising force, even in the midst of poverty and privation. Ackroyd, Peter. Dickens: A Biography. London: Sinclair-Stevenson, Bance, M.

The Dickens Index. New York and Oxford: Oxford U. Cunningham, Peter. London: J. Murray, Davis, Paul. Dickens, Charles.


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Illustrated by George Cruikshank. London: Chapman and Hall, ; rpt. Illustrated by Sol Eytinge, Jr. The Diamond Edition. Boston: James R. Osgood, [rpt. Illustrated by Fred Barnard. The Household Edition. London: Chapman and Hall, Illustrated by Harry Furniss. The Charles Dickens Library Edition. London: Educational Book Company, Dickens, Charles, and Fred Barnard.

The Dickens Souvenir Book. Hawksley, Lucinda Dickens. Chapter 3, " Sketches by Boz. San Rafael, California: Insight, New Haven: Yale UP,