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Piano Trio No.3, Op.110 (Schumann, Robert)

Bach Gamba sonata No. Barber Sonata Op. Britten Sonata for cello and piano in C major, Op. Brahms Sonata for cello and piano in E minor, Op. Brahms Sonata for cello and piano in F major, Op 99 F.

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Bridge Sonata for Cello and Piano F. Chopin Sonata for Cello and Piano C. Debussy Sonata for cello and piano in D minor C.

Challenge Records International - Complete Works for Piano Trio - Altenberg Trio Wien *

Franck Sonata for cello and piano in A major A. Foote Sonata for Cello and Piano F.

Robert Schumann: Trio nº 3 Op. 110 (1851)

Mendelssohn Sonata for cello and piano in D major, Op 58 No. Prokofiev Sonata for cello and piano in C major, Op S. Rachmaninoff Sonata for cello and piano in G minor, Op 19 F. Schubert Sonata for cello and piano in A minor, "Arpeggione" D. Shostakovich Sonata for cello and piano in D minor, Op 40 A. Vivaldi Sonata in E minor A. Bruch Kol Nidrei, Op.

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Dvorak Concerto for cello and orchestra in B minor, Op. Elgar Concerto for cello and orchestra in E minor, Op 85 G. Faure Elegy for cello and orchestra, opus 24 J. Haydn Concerto for cello and orchestra in C major E. Lalo Concerto for cello and orchestra in D minor C. Saint-Saens Concerto No. Schumann Concerto in A minor, Op.

Product details

Bach Cello Suite, No. The Finale, designated Im Marsch-Tempo In march tempo , exhibits a heroic character at the outset, but turns lighter and more playful in succeeding variations. The main theme returns and the subdued, lively ending is sheer magic in its feathery nonchalance, its graceful instrumental exchanges, and sense of joy. Along with the Four Sketches, Op. Whistling in Leipzig as "Volume I. Mary's in Zwickau. Around , Johann Gottlob Wagner developed a pedal keyboard to add to a larger, square piano. By this time, two types of pedal pianos had developed, the first a device that used the same strings as the fingered keyboard, the second a separate unit placed under the grand piano, employing hammers to strike its own strings.

Schumann's Op.

Piano Trio No. 3 (Schumann)

The first of the six is a strict canon at the octave in C major that touches on D minor in its second half. The canon deviates from it strict path only in the last two measures, all the while with a harmonic underpinning of sustained notes. The second piece, in A minor, features repeated chords in the left hand supporting a canonic texture in the right hand alone. The pedal part becomes very animated in the middle of the work, which closes in A major. After a brief introduction, the third Etude becomes a canon at the fourth below.

Again, all the contrapuntal material appears in the right hand as the left plays a figuration that is clearly a nineteenth century idea. The fourth is much like the third in its distribution of material, the canon appearing in the right hand at first, but both hands sharing material when a new canon begins.

Halfway through the piece, a more legato canon begins. A two-part canon opens the final piece, which boasts the most active pedal part of the set. John Palmer Descriptions from: www. April 16th, the Edison nominations were announced quite a few nominations for Challenge Classics! Basket 0. About the album On this album you can listen to the complete works for piano trio by Robert Schumann. Click on a track title to listen 1.

Mit Energie Und Leidenschaft. Lebhaft, Doch Nicht Su Rasch. Langsam, Mit Inniger Empfindung. Mit Feuer. Sehr Lebhaft. Mit Innigem Ausdruck. Nicht Zu Rasch. Bewegt, Doch Nicht Zu Rasch. Ziemlich Langsam.

Work: Piano Trio no. 3 in G minor, Op.110

Humoreske: Lebhaft. Duett: Langsam, Und Mit Ausdruck. Finale: Im Marsch Tempo. Theodor Kirchner I. Hungarian Rhapsody No.

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Impromptus, D. Piano Sonata No. Papillons, Op. Sonata No. Piano Trio in C minor, Op. Piano Trio in E flat major, Op. Piano Trio in D major, Op. Violin Sonata No. Cello Sonata No. Piano Trio No. Horn Trio in E-flat major, Op. Cello Sonata in G minor, Op. Polonaise Brillante, Op. Petite Suite for Piano Four-hands.